{"id":6671,"date":"2012-01-26T00:00:00","date_gmt":"2012-01-25T23:00:00","guid":{"rendered":"https:\/\/www.stefanoboeriarchitetti.net\/uncategorized\/sao-paulo-calling\/"},"modified":"2018-04-05T17:53:26","modified_gmt":"2018-04-05T15:53:26","slug":"sao-paulo-calling","status":"publish","type":"post","link":"https:\/\/www.stefanoboeriarchitetti.net\/en\/news\/sao-paulo-calling\/","title":{"rendered":"s\u00e3o paulo calling"},"content":{"rendered":"<p><!--:en-->Tomorrow 27th january 2012 will start in Centro Cultural Sao Paulo (Brazil)<strong>&#8221; Sao Paulo Calling&#8221;<\/strong><br \/>\na\u00a0 project about informal settlements, promoted by the Segretaria de Habita\u00e7ao of Sao Paulo and curated by Stefano Boeri.<\/p>\n<p>&nbsp;<\/p>\n<p>Since the 1980\u2019s the liberalization of the global market and the unprecedented expansion of many world\u2019s cities have generated such complex and extended metropolitan situations that many local and state administrations have been unable to plan and control their development. Many large cities such as S\u00e3o Paulo, Medellin, Nairobi and Mumbai have largely grown through processes of construction and expansion that are often informal: a direct consequence of the incapacity of public policy to foresee the mutating urban requirements.<\/p>\n<p>Nevertheless, this phenomenon is not the only one capable of describing the informal dynamics that transformed many cities during the last 30 years: Moscow, which has been developing for many decades under strict state control, since the fall of the Soviet regime has become witness of an array of informal economies and physical transformations, that are directly linked to the development of capitalism; Rome, a city traversed by growing waves of migrations towards the \u201cfirst world\u201d, has demonstrated how overly bureaucratic systems can prove incapable of welcoming and incorporating diversity.<br \/>\nReflecting on these experiences means to read urban, the political and social transformations of cities starting from the informal settlements they have incubated. It means to share the knowledge generated in a myriad of isolated experiences, both institutional and independent, that haven\u2019t necessarily found synthesis in specific models of intervention.<br \/>\nThe goal is to reveal both the cultural vitality and economic dynamism of informal phenomena, and the lack of basic standards in hygiene, services and infrastructure that is frequently linked with the presence of auto organized settlements . Two aspects that urgently require a new and articulate direction in urban policies regarding the \u201cFavelas\u201d of the whole world.<\/p>\n<p>Promoted by the Segretaria de Habita\u00e7ao and curated by Stefano Boeri, S\u00e3o Paulo Calling is a multiform initiative, lasting from January to June 2012, that will take us to discover how some of the poorest corners of the world coexist with the most incredible endeavours, to confront informal settlements, and to weave together some of the best fragments created by those who walk, live, transform and govern the city.<br \/>\nDuring six months an exhibition will analyze causes, characteristics, similarities and differences of the informal settlements of Roma, Nairobi, Medellin, Mumbai, Mosca and Baghdad, while six moments of dialogue will turn S\u00e3o Paulo into the world capital of the debate on the transformation of contemporary cities.<br \/>\nWe are convinced that inhabitants\u2019 own designation of needs and entrepreneurial self organization are the first aspects to consider and stimulate in order to carry on relevant political and urban policies. We propose that every month one favela in S\u00e3o Paulo hosts a series of international lectures and debates that will be accompanied with street markets, parties, live music and football matches. Our aim is not only to bring closer those who talk about the city with those who live in it, but also to transform the three million people living in these informal settlements into active protagonists of the ongoing changes and their theorizations.<\/p>\n<p>Besides hosting the exhibition produced in collaboration with Urbz, Laboratorio Arti Civiche, Strelka Institute, Multiplicity and Liveinslums, the Centro Cultural Flavio de Carvalho will collect the experiences and voices of the local community, thus transforming into listeners some of the world\u2019s leading minds in architecture, literature, art and politics. S\u00e3o Paulo Calling is a research, an exhibition and a debate, but it is also an expression of the urgent need to take decisions.<\/p>\n<p><em>Curated by<\/em><br \/>\nStefano Boeri<\/p>\n<p><em>Promoted by<\/em><br \/>\nSegreteria de Habita\u00e7ao di San Paolo<\/p>\n<p><em>Scientific Committee Coordination<\/em><br \/>\nElisabete Fran\u00e7a<br \/>\nEliene Rodrigues Coelho<br \/>\nLorenza Baroncelli<\/p>\n<p><em>Scientific Committee <\/em><br \/>\nAntonio Ottomanelli<br \/>\nAzzurra Muzzonigro<br \/>\nCarlos Marios Rodriguez<br \/>\nFrancesco Careri<br \/>\nFrancisca Insulza<br \/>\nGaetano Berni<br \/>\nGiancarlo Mazzanti<br \/>\nMatias Echanove<br \/>\nMichele Brunello<br \/>\nPietro Pezzani<br \/>\nRahul Srivastava<br \/>\nSilvia Orazi<\/p>\n<p>Scientific Committee Assistance<br \/>\nKeila Prado Costa<br \/>\nLucy Cunha Santana<\/p>\n<p><em>Exhibition Coordination<\/em><br \/>\nElisabete Fran\u00e7a<br \/>\nEliene Rodrigues Coelho<br \/>\nLorenza Baroncelli<\/p>\n<p><strong>S\u00e3o Paulo<\/strong><br \/>\nElisabete Fran\u00e7a<br \/>\nEliene Rodrigues Coelho<br \/>\nS\u00e3o Francisco<br \/>\nFelinto Carlos Cunha<br \/>\nDamaris da Costa Binati<br \/>\nMarina Batista da Rosa<\/p>\n<p><strong>Parais\u00f3polis<\/strong><br \/>\nMaria Teresa Diniz<br \/>\nRita de C\u00e1ssia Madureira<br \/>\nFelipe Mestre Moreno<br \/>\nJulia Ara\u00fajo Mantovani<\/p>\n<p><strong>Cantinho do C\u00e9u<\/strong><br \/>\nRicardo Corr\u00eaa Sampaio<br \/>\nRita de C\u00e1ssia Madureira<br \/>\nVioleta Saldanha Kubrusly<br \/>\nLigia Miranda<\/p>\n<p><strong>Bamburral<\/strong><br \/>\nMaria Cec\u00edlia Nammur<br \/>\nHelena Nosek<br \/>\nAna Carolina Castro<br \/>\nElaine Cristina da Costa<\/p>\n<p><strong>Heli\u00f3polis<\/strong><br \/>\nVanessa Padi\u00e1 de Souza<br \/>\nMarcelo Rebelo de Moraes<br \/>\nLuiz Henrique Girardi<br \/>\nSueli Pace<\/p>\n<p><strong>Centro<\/strong><br \/>\nAlonso Lopez<br \/>\nLuiz Fernando Fachini<br \/>\nRicardo Rodrigues<br \/>\nMaria Jos\u00e9 Calderine<\/p>\n<p><em>Design of the exhibition<\/em><br \/>\n(Stefano Boeri Architetti)<br \/>\nLorenza Baroncelli<br \/>\nPietro Pezzani<br \/>\n<em>With<\/em><br \/>\nClaudia Mainardi<br \/>\nCorinna Del Bianco<br \/>\nFrancesco Roesler<br \/>\nGiacomo Ardesio<br \/>\nTugce Sain<\/p>\n<p><em>Art Direction<\/em><br \/>\n46xy<br \/>\nMario Piazza<br \/>\nMarco Basti<br \/>\nClaudia Ceso<\/p>\n<p><em>Ipad Application<\/em><br \/>\nMax Uggeri (iOS Evangelist)<\/p>\n<p>Matteo Righi<br \/>\nMarco Tironi<br \/>\nPietro Pannone<br \/>\nVeronica Cinelli<\/p>\n<p><em>Web Site Sao Paulo Calling<\/em><br \/>\nAdemir Moreno Escribano<br \/>\n<em>(coordinator)<\/em><\/p>\n<p>Bruno Gomes Fran\u00e7a<br \/>\nCarlos Fernando dos Santos<br \/>\nCarlos Renato Bon\u00e1dio<br \/>\nCaue Luiz Then\u00f3rio<br \/>\nDavid Rios<br \/>\nEliene Rodrigues Coelho<br \/>\nFl\u00e1vio Coutinho Cordeiro<br \/>\nJorge Luiz Evangelista Ferreira<br \/>\nLeon de Almeida<br \/>\nSheila Souza<\/p>\n<p><em>Data Organization<\/em><br \/>\nAdeilson Alexandre<br \/>\nJos\u00e9 Carlos Lima<br \/>\nViviane Rodrigues<br \/>\nWalter Peres Coelho Junior<br \/>\nYginah Augusta Marinel<\/p>\n<p><em>Video Makers (Sao Paulo)<\/em><br \/>\nFabio Knoll<br \/>\n<em>with<\/em><br \/>\nLuiz Cezar Barata<br \/>\nJos\u00e9 Sampaio<br \/>\nPablo Lopez<br \/>\nRoberta Martinho<br \/>\nPoliane Gomes<\/p>\n<p><em>Construction and Management of the exhibition<\/em><br \/>\nMarcos Eduardo Albertin<br \/>\n(Oficina de Artes Produ\u00e7\u00f5es)<\/p>\n<p><em>Organizing Staff<\/em><br \/>\nAlessandra Bulgarelli Ancesqui<br \/>\nAna Maria Fuzioka<br \/>\nJorge Andr\u00e9 Roz\u00e3o<br \/>\nKatia Faraco Aveline<br \/>\nPaulo Leite J\u00fanior<\/p>\n<p><em>Advertising Agents<\/em><br \/>\nS\u00e9rgio Duran<br \/>\nMarcy Junqueira<\/p>\n<p><em>in Collaboration with<\/em><br \/>\nUniversidade Presbiteriana<br \/>\nMackenzie<br \/>\nEscola da Cidade<br \/>\nETH Z\u00fcrich &#8211; MAS Urban Design\/<br \/>\nDARCH Faculty of Architecture<\/p>\n<p><em>Institutional Support<\/em><br \/>\nSecretaria Municipal de Cultura &#8211;<br \/>\nCentro Cultural S\u00e3o Paulo<\/p>\n<p><em>Thanks to<\/em><br \/>\nAlceu Bittencourt,<br \/>\nAlexandre A\u00e7akura,<br \/>\n\u00c1lvaro Velloso de Oliveira,<br \/>\nAmilton Degani,<br \/>\nAnderson Freitas,<br \/>\nBartira Ghoubar,<br \/>\nCarina Bueno<br \/>\nDumi Arias Fachini,<br \/>\nEder Brito,<br \/>\nFabienne Hoelzel,<br \/>\nFabio Godoy,<br \/>\nFernanda Cardoso Lopes,<br \/>\nFrancisco Germano da Silva,<br \/>\nGislaine Moura do Nascimento,<br \/>\nIsabella Inti,<br \/>\nJo\u00e3o Luis Lopes,<br \/>\nJos\u00e9 Augusto Ribeiro,<br \/>\nJos\u00e9 Roberto Juliani,<br \/>\nJosefina Ocanto,<br \/>\nMarcelo Barbieri,<br \/>\nMarcos Tiberio,<br \/>\nMaria Ines Dalessio Reis,<br \/>\nNewton Jobb Carreiro,<br \/>\nNorma Bra\u00falio Franzosi,<br \/>\nPriscilla Alvarenga Maranh\u00e3o,<br \/>\nRicardo Maekawa,<br \/>\nRicardo Resende,<br \/>\nRubens G. Carvalho,<br \/>\nSara Pellegrini,<br \/>\nSerguei Dias,<br \/>\nTha\u00efs Caniati,<br \/>\nZilah Florence.<br \/>\nCobrape \u2013 Companhia<br \/>\nBrasileira de Projetos<br \/>\ne Empreendimentos,<br \/>\nCons\u00f3rcio Bureau Sistema<br \/>\nPRI,<br \/>\nCons\u00f3rcio Hagaplan \/ JNS,<br \/>\nDiagonal Empreendimento e<br \/>\nGest\u00e3o de Neg\u00f3cios,<br \/>\nDuctor Implanta\u00e7\u00e3o de<br \/>\nProjetos, ETEP \u2013 Estudos<br \/>\nT\u00e9cnicos e Projetos,<br \/>\nSondot\u00e9cnica Engenharia<br \/>\nde Solo.<br \/>\nAndrade Valadares<br \/>\nEngenharia Constru\u00e7\u00e3o,<br \/>\nBlokos Engenharia,<br \/>\nCamargo Correa Engenharia,<br \/>\nCarioca Engenharia,<br \/>\nCons\u00f3rcio EIT \u2013 Santa<br \/>\nBarbara,<br \/>\nConstrubase Engenharia,<br \/>\nConstrutora Constran,<br \/>\nConstrutora Croma,<br \/>\nConstrutora Etama,<br \/>\nConstrutora Gomes<br \/>\nLouren\u00e7o, Construtora H.E,<br \/>\nConstrutora OAS,<br \/>\nConstrutora Passarelli,<br \/>\nDelta Engenharia,<br \/>\nEmpreiteira FM Rodrigues,<br \/>\nEngeform Engenharia,<br \/>\nEngelux Engenharia,<br \/>\nGalv\u00e3o Engenharia,<br \/>\nH Guedes Engenharia,<br \/>\nKallas Engenharia,<br \/>\nMultipla Construtora,<br \/>\nPaez de Lima Constru\u00e7\u00e3o e<br \/>\nEmpreendimentos,<br \/>\nPlanova Planejamento e<br \/>\nConstru\u00e7\u00f5es,<br \/>\nSaned Engenharia,<br \/>\nSchahin Engenharia,<br \/>\nSim\u00e9trica Engenharia,<br \/>\nVillanova Engenharia<br \/>\ne Desenvolvimento<br \/>\nAmbiental.<!--:--><!--:it--><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tomorrow 27th january 2012 will start in Centro Cultural Sao Paulo (Brazil)&#8221; Sao Paulo Calling&#8221; a\u00a0 project about informal settlements, promoted by the Segretaria de Habita\u00e7ao of Sao Paulo and curated by Stefano Boeri. &nbsp; Since [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16600,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[61,473],"tags":[],"tag-2":[],"class_list":["post-6671","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-news","category-publications","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.1 (Yoast SEO v28.1) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>s\u00e3o paulo calling | Stefano Boeri Architetti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.stefanoboeriarchitetti.net\/en\/news\/sao-paulo-calling\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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